![]() to handle, where hostility and a sense of aggression result, along with making some very poor judgments. In the process, the strains become too much for J.R. feels the pressure from both his friends and the girl. The other men are skeptical not only because of J.R.’s unusual changes in his behavior, but the amount of time spent with her as opposed to hanging out with them. Suddenly, one of the men, J.R., meets a girl and begins to have a relationship with her. They enjoy hanging out at bars, watching movies, having parties, etc. Three young men living on the New York City streets engage in trivial violence and unproductive activities. I have to finish Knock at the Cabin – just have a couple more days left on it – and then I start writing the next one.Cast: Harvey Keitel, Zina Bethune, Anne Collette, Harry Northup, Lennard Kuras, Michael Scala, Robert Uricola Not sure how many people will get to walk through it here at CES but I hope they have a titillating experience and become the framers for everyone. What are your aspirations for this experience? What are you hoping people will get out of it? ![]() It's become important to me to work only with people that have a beautiful energy, and Dave's like that - a beautiful human being who plays a very complicated character in the movie. What was it like working with Dave Bautista? We're not just gathering things and putting them together in a distraction kind of way, it's all very intended. That's a 40 millimeter lens at that distance from that person, when the camera moves it’s for an intention. There is a connection, the frames are not casual. Is this something people will see in this experience? You have said that Hitchcock, Kubrick, Kurosawa and Ray have influenced your work. So it was an easy yes and then we went to Universal to see if they’d be open to this and they were like, this is fantastic. ![]() There are very few companies you can say have been with you your whole life, both on your personal side and your professional side in equal measure. I use them in the office, at home, on the sets. I told them they have always been a part of my life. So this one is just meant to be a special experience for people at CES. However for this set up, it would take an enormous amount of equipment to ship. I’d love to do more things with Canon and wish we could take this to every movie theater. Night Shyamalan experience, but this is the first time that I've been able to do something like this. Before Canon, there were a lot of in-person immersive experience companies that came to me and said let’s do something like an M. That's the first thing I thought was hey, we got to take this everywhere, take this on the road, man. Are you taking this immersive experience elsewhere outside of CES, like to the premiere of the film? So this is one continuum, and this immersive trailer is meant to be a deeper version of the setup. And then in the best movies, the story continues in your head after you leave the theater. My marketing brothers and sisters start telling the story first and then I finish the story in the movie theater. We planted information that will make them think about things – and then the mystery begins.įor me, marketing and trailers are the beginning of the storytelling. That’s what a trailer is supposed to do, set up the audience to get excited to see the movie. Yes, there are little clues to be found everywhere that will help people who are walking through the experience build a picture in their mind of what's happening. You know, since I was a little kid, I’ve enjoyed making people feel uncomfortable, so we’re using technology to do just that in an eerie way that will stick with them.Īll I really care about is the resonance of an experience - that they take it home with them and it becomes part of them. I'm hoping the audience will see dark humor when meeting and talking with the characters that are funny as well as odd and unsettling. What parts of the Shyamalan-brand of movie-making will the audience experience? The four different versions of the trailer with these technologies creates a far deeper experience of the creative. So to keep it fresh for the film, I tried new composers, new editors, new everything, and this experience with Canon has given me this weird injection of wow. You never want to keep doing things the same way. To be provoked in your mind working in a different way with new storytelling veins, it’s very exciting.
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